Archive for April 2017
Following up on my previous entry…
I haven’t watched the Academy Award ceremony in several years, but this year I’m actually upset I missed it. Turns out Bonnie & Clyde committed the mother of all blunders and misread the Best Picture winner, though it wasn’t immediately clear partly because everyone figured La La Land was going to win anyway. So when they reversed course and announced Moonlight as the legitimate winner, I was genuinely surprised. And somewhat pissed; Moonlight winning would mean my streak of seeing every Best Picture-winning film in a movie theater would have ended (it began with Titanic in 1997). As luck would have it, the film came back to College Square for one week following the awards, so Viet & I were able to catch it and keep my streak intact. I’m glad we did — it’s a tremendous, moving, beautiful film, full of hurt and mistrust and confusion and beauty and hope and I’m not really describing the film at all, but it doesn’t really need its plot described, just the emotions it brought out in me.
Thinking back on 2016, I really liked Rogue One more than I did The Force Awakens.
Right after Christmas we tried out a free one-month trial subscription to Amazon Prime, and consumed all three seasons of Transparent as well as Mozart in the Jungle, and the first season of The Man in the High Castle. It moved a little too slowly for my tastes, so I passed on the second season in favor of randomly selected episodes of Shaun the Sheep.
Speaking of Aardman Studios, 2016 was a pretty good year for animation. I equally enjoyed the simple beauty in the adventure tale Long Way North and the juvenile crassness of Sausage Party. Kubo and the Two Strings was also visually stunning. But the real gem was the 1973 Japanese animated film Belladonna of Sadness, which felt like a watercolor version of Kill Bill crossed with Faust.
Quality documentaries include Michael Jackson’s Journey from Motown to Off the Wall; Minimalism: A Documentary about the Important Things; The Death of Superman Lives: What Happened?; Oasis – Supersonic, and Dreams Rewired.
Between mid December and late March I also saw and enjoyed Beauty and the Beast (the 2014 french live-action version), Born To Be Blue, Dark Water (the 2002 Japanese version), Don’t Think Twice, Hacksaw Ridge, Hidden Figures, Last Days in the Desert, Little Men, Snowden, Under the Shadows and Zero Days. The FX mini-series “The People vs. OJ Simpson” was extremely well done and I stayed up until well past 2 a.m. Saturday morning watching the last 5 episodes on Netflix… though I still prefer the ESPN 5-part documentary “OJ: Made in America”
The most overrated film of the year award easily goes to Manchester By the Sea. I was so bored sitting through this chore of a movie. Runners up include The Accountant, Bad Santa 2 (so sad, I had such high hopes for it!), Patriots’ Day, The Birth of a Nation, and Southside with You. Sully was okay but nowhere near as compelling as Captain Phillips was a few years ago.
Todd Solonz has made a career out of making films that make its audience squirm. His latest, Weiner-Dog, definitely hit that mark with its awful ending involving two semi trucks. That’s all I’ll say about that.
I thought La La Land was cute and charming but not the great film everyone made it out to be. Emma Stone did her best to try to sing, but Ryan Gosling, nope. The two of them can barely even dance.